1950s-1960s: Running-text taken from original source 1970s-1998: Increasingly brief, telegraphic notes The inspiration for Zettel Gedicht
Museum object cards that contextualize and elucidate an object’s significance and background can be the sole reason to attend an exhibit. Since this example of minimalistisches Zettel Gedicht is an object card, it cannot be more interesting than itself. While gesturing toward iambic pentameter, its unpoetic, utilitarian corporate flatness qualifies it as a poem under established historical norms of avant-garde, high barrier-to-entry institutionalized radicalism, exemplified by the now inactive UbuWeb archive.